Producer Bobby Digital Dixon was on top of his game when he had drummer George Miller and keyboard player P. Enton build the "Asylum" riddim track in 1998, releasing over twenty cuts during the course of the next year. The most successful of these in the global reggae marketplace was Beenie Man's "100 Gal More," after which the obligatory "riddim' album was named. As with all such collections, the standout tracks will depend, to a large degree, on which of the performers the listener favours the most. No-one disappoints, though Future Troubles ("Mekeda"), Tanya Stephens ("One Style"), Elephant Man ("One & Move"), Terror Fabulous ("Nah Run Down Nothing") and Harry Toddler ("Ghetto Gal Dress The Best") seem particularly inspired.
Producer Bobby Digital Dixon was on top of his game when he had drummer George Miller and keyboard player P. Enton build the "Asylum" riddim track in 1998, releasing over twenty cuts during the course of the next year. The most successful of these in the global reggae marketplace was Beenie Man's "100 Gal More," after which the obligatory "riddim' album was named. As with all such collections, the standout tracks will depend, to a large degree, on which of the performers the listener favours the most. No-one disappoints, though Future Troubles ("Mekeda"), Tanya Stephens ("One Style"), Elephant Man ("One & Move"), Terror Fabulous ("Nah Run Down Nothing") and Harry Toddler ("Ghetto Gal Dress The Best") seem particularly inspired.
